GOLD MEN CHAIN : MEN CHAIN(Mon)
Gold Men Chain : Gold Standard Protein : Michael Jackson Gold
Gold Men Chain
- Gents face one another and take right hands then chain on to another gent or lady. Handholds and turns vary. See: FERMANAGH SET. The MEN CHAIN is in far fewer sets than is the LADIES CHAIN.
- amber: a deep yellow color; "an amber light illuminated the room"; "he admired the gold of her hair"
- A deep lustrous yellow or yellow-brown color
- A yellow precious metal, the chemical element of atomic number 79, valued esp. for use in jewelry and decoration, and to guarantee the value of currencies
- An alloy of this
- made from or covered with gold; "gold coins"; "the gold dome of the Capitol"; "the golden calf"; "gilded icons"
Simply irresistible, these quilted flats are a Diva must have.
The exterior is quilted man made leather, and finished off with a chain on the outer opening of the shoe.
Very cushioned, and comfortable insole.
Textured PVC outsole for grip and traction. Shoe runs true to size.
Factory boxed and well packaged. Product measurements were taken using ladies size 7.5. Please note that measurements may vary by size accordingly.
Shoe measures 3.125 inches wide, at widest point of sole. Shoe sole measures 0.125 inches thick. Shoe heel measures 0.125 inches high from back top of heel to sole. (LD F00427)
THE INCREDIBLE LINKING IRON MAN - CHAIN GANG
OH DON'T YOU KNOW, THAT'S THE SOUND OF THE IRON MAN, WORKIN' ON THE CHAIN GANG.....
The Incredible Shrinking Iron Man faces one of his nightmares.....terminal rust!
On an industrial scale.
Or at least, a nautical one.
Found in the chain locker of the gangplank hoisting gear for the sailing ship "Polly Woodside".
This is another shot I took during an interval at Aussiecon IV out by the "Polly Woodside" berth. Normally I'd use the iconically clunky Movie Mark One armour for this kind of shot, but I really liked the contrast between the red and gold suit and the rust. Tony's not ready to rust in pieces just yet, ta very much!
"FAT GOLD CHAIN" -Schooly D 047
"If you think you're not getting on that bus, man, you're dead wrong. Now get on that f--king bus, 'cause your life ain't worth shit in this town! " -Bad Lieutenant, 1992.
gold men chain
Do the pleasures of horror movies really begin and end in sadism? So the public discussion of film assumes, and so film theory claims. Carol Clover argues, however, that these films work mainly to engage the viewer in the plight of the victim-hero, who suffers fright but rises to vanquish the forces of oppression.
Clover, a medievalist, had written extensively on the literature and culture of early northern Europe, especially the Old Norse sagas. From her expertise in formulaic narrative grew her interest in contemporary cinema, which is, after all, yet another form of oral storytelling. Men, Women, and Chain Saws investigated the appeal of horror cinema, in particular the phenomenal popularity of those "low" genres that feature female heroes and play to male audiences: slasher, occult, and rape-revenge films. Such genres seem to offer sadistic pleasure to their viewers, and not much else. Clover, however, argued the reverse: that these films are designed to align spectators not with the male tormentor, but with the female tormented--with the suffering, pain, and anguish that the "final girl," as Clover calls the victim-hero, endures before rising, finally, to vanquish her oppressor.
The book has found an avid readership from students of film theory to major Hollywood filmmakers, and the figure of the final girl has been taken up by a wide range of artists, inspiring not just filmmakers but also musicians and poets.
Before Men, Women, and Chain Saws, most film critics assumed that horror (especially slasher) films entail a male viewer sadistically watching the plight of a female victim. Carol Clover argues convincingly that both male and female viewers not only identify with the victim, but experience, through the actions of the "final girl," a climactic moment of female power. As the Boston Globe writes, Men, Women, and Chain Saws "challenges simplistic assumptions about the relationship between gender and culture... [Clover] suggests that the 'low tradition' in horror movies possesses positive subversive potential, a space to explore gender ambiguity and transgress traditional boundaries of masculinity and femininity." Be forewarned, though: Clover addresses an academic audience, so her language can be heavy going.
Related title: The Dread of Difference: Gender and the Horror Film by Barry Keith Grant
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